The Real/Reel and the Unreal

February 7th, 2008
Still from Anthony McCall’s
You and I Horizontal, 2005, courtesy of the artist.
  The Cinema Effect: Illusion, Reality, and the Moving Image
Part I: Dreams

February 14, 2008 – May 11, 2008

This two-part exhibition features moving-image artworks by a range of influential and emerging international artists whose works use film language and technology to explore the ever-increasing impact of the cinematic on our perceptions and the ways in which the very boundaries between “real life” and make-believe have become at least blurred, if not indecipherable.

The first, Dreams, addresses film’s ability to transport us out of our everyday lives and into a dream world. Using a series of artists’ installations, the exhibition moves us through the different stages of consciousness and dreaming, from those moments between wakefulness and sleep to the darker recesses of the imagination and fantasy.

Generous support for The Cinema Effect is provided by The Broad Art Foundation and the Audrey and Sydney Irmas Charitable Foundation with assistance from Marion Boulton Stroud, Lorie Peters Lauthier, the British Council, the Holenia Trust in memory of Joseph H. Hirshhorn, the Friends of Jim and Barbara Demetrion Endowment Fund, and the Hirshhorn’s Board of Trustees. In-kind support was provided by Sony Electronics Inc. The catalogue was made possible in part by the Elizabeth Firestone Graham Foundation and Barbara and Aaron Levine.

The Spiral Jetty: blog3

February 4th, 2008

Modern Art Notes

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January 30, 2008

Spiral Jetty threatened by energy development

UPDATE: 1/31: Comment period extended.

Nancy Holt, Robert Smithson’s widow, recently sent an email out detailing specific threats to Smithson’s masterpiece, Spiral Jetty. Click below to read it — and please take action before 7 pm ET Wednesday.

Yesterday I received an urgent email from Lynn DeFreitas, Director of Friends of the Great Salt Lake, telling me of plans for drilling oil in the Salt Lake near Spiral Jetty. See Attachments. The deadline for protest is [today] Wednesday, at 5PM. Of course, DIA has been informed and are meeting about it today.

I have been told by Lynn that the oil wells will not be above the water, but that means some kind of industrial complex of pipes and pumps beneath the water and on the shore. The operation would require roads for oil tank trucks, cranes, pumps etc. which produce noise and will severely alter the wild, natural place.

If you want to send a letter of protest to save the beautiful, natural Utah environment around the Spiral Jetty from oil drilling, the emails or calls of protest go to Jonathan Jemming 801-537-9023 jjemming@utah.gov. Please refer to Application # 8853. Every letter makes a big difference, they do take a lot of notice and know that publicity may follow. Since the Spiral Jetty has global significance, emails from foreign countries would be of special value.

They try to slip these drilling contracts under the radar, that¹s why we found out so late, not through notification, but from a watchdog lawyer at the Southern Utah Wilderness Alliance, the group that alerted me to the land leasing for oil and gas near Sun Tunnels last May.

Thank you for your consideration of this serious environmental matter.

Simone De Beauvoir on the Creative process; blog2

January 31st, 2008

If the author knows in advance the conclusion he intends, if he insists upon pressing a predetermined thesis upon the reader, if he refuses to permit even the illusion of fredom, then…the novel has no value and dignity, which must be there if both author and reader are to discover something alive. It is necessity that one speaks of…when one says that the novel must escape from its author, who must not dispose of his characters, but on the contrary must let them impose their will on him. A novel is not a manufactured object, and it is even pejorative to say that it is fabricated; without doubt it is absurd to say that heroes in the literal sense of the word are free, but in truth this freedom that one admires in the characters of Dostoevsky, for example, is that of the novelist himself who has respect for his creations, and the opacity of events which he evokes should manifest the resistance which he has met in the act of creation.

First Critique:blog1

January 28th, 2008

What have you learned about yourself from this crit? How do you work? What are your limitations?

oh these hyenas

January 21st, 2008

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These women love their animals.

January 15th, 2008

images2.jpegimages-41.jpegimages-31.jpegimages-21.jpegTake a look at Kim Baranowski, Nancy Graves, George Ferrandi, Deborah Butterfield, and Katarina Fritsch.images-12.jpeg

Carole Garmon’s Sculpture II Blog Directory

January 15th, 2008

Once you have created your own blog, please register the address here:

Carole Garmon’s Sculpture II Blog Directory

 Posted in Uncategorized | Tagged , | 3 Comments »

animals!

January 15th, 2008

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more on the hyena

January 15th, 2008

images.jpegFrom bayblab.blogspot:

The spotted hyena has had a bad reputation in the past. They are associated with death, scavenging, uncleanliness, cowardice, gluttony, sexual deviance. Early naturalist thought the hyena was a hermaphrodite, or that it practiced homosexuality. This was an understandable misconception. Female spotted hyena are actually slightly bigger than the male, and they have an enlarged clitoris that forms a pseudo-penis. The females give birth, copulate and urinate through their protruding clitoris. Interestingly, this anatomical feature is not dependent on high male hormones as was once thought, since, if testosterone is removed from the womb, they develop normally. The evolutionary advantage of this apparatus is unclear, as it makes copulation and birth more difficult. However, it does enable the female to have complete control over her mating partner, allowing the matriarchal society to persist.

Here we go!

January 15th, 2008

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